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He’d made the same deal on “Pan’s Labyrinth” a decade earlier and stresses that both projects took him years to develop. “The only real money I made on ‘Pan’s Labyrinth’ was when I sold the apartment I had bought in Madrid. Although [the studio] returned my salary just before the Oscar ceremony,” he says. “The way I see money at 52, my kids are adults basically, I dress like s—, I drive a four-year-old car, I have all the rubber monsters that I need. You don’t make these movies to buy a ranch in Santa Fe; you make these movies to tell a story. It’s not that I came out flat on this movie; I invested. And I invested in a story that I think of as an antidote to the times we’re living in. Everything is so sordid and horrible right now, but this movie is not shy about talking about love and beauty and the good things in life.”